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Desk Armchair

F-TO-156
Antique desk armchair, gray color, simple modern design in ambient scene.
Antique desk chair with light gray armrests and simple design.
Antique desk chair in black and white, surrounded by vintage furniture in a cozy setting.
antique desk chair in white with arms, against a dark door
Antique desk chair with metal base in a neutral setting.
antique desk chair with classic design, simple style, cozy atmosphere
antique desk chair in white color with elegant design set in a stone wall environment
Antique desk chair with metallic frame, vintage setting.
Antique desk chair with visible details, in a vintage setting.
Ask about this product
F-TO-156
Antique desk armchair, gray color, simple modern design in ambient scene.
Antique desk chair with light gray armrests and simple design.
Antique desk chair in black and white, surrounded by vintage furniture in a cozy setting.
antique desk chair in white with arms, against a dark door
Antique desk chair with metal base in a neutral setting.
antique desk chair with classic design, simple style, cozy atmosphere
antique desk chair in white color with elegant design set in a stone wall environment
Antique desk chair with metallic frame, vintage setting.
Antique desk chair with visible details, in a vintage setting.
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Measure
High Backrest
82 cm / 32.28 in
High of Seat
46 cm / 18.11 in
Width
52 cm / 20.47 in
Depth
40 cm / 15.75 in
Material
Chrome, Wood
Country
Germany
Store
Balcarce 1084
0:00 / 0:00

Style Bauhaus School

The Bauhaus was the school of design, art and architecture founded in 1919 by Walter Gropius in Weimar (Germany) and closed by the Prussian authorities (in the hands of the Nazi party) in 1933.

The name Bauhaus derives from the union of the German words Bau, "building," and Haus, "house."


The Bauhaus School" was established in three cities:

• 1919 – 1925: Weimar

• 1925 – 1932: Dessau

• 1932 – 1934: Berlin


The goal of the Bauhaus was:

• The recovery of artisanal methods in construction activity

• The Art, Craft and Industry Unit

• Functional and practical design. The utility and functionality of objects and buildings were prioritized over unnecessary ornamentation. Form had to follow function.


It was managed by three Directors:

• 1919 – 1927: Walter Gropius

• 1927 – 1930: Hannes Meyer

• 1930 – 1933: Ludwig Mies van der Rohe

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