Victor Vasarely was born in 1906 in Hungary. He became one of the fundamental figures of the Op Art movement.
His work was based on visual perception through geometric abstraction.
He began his medical studies at the University of Budapest in 1925, but abandoned them two years later to dedicate himself to art.
In 1927, he studied painting at the Private Podolini-Volkmann Academy.
In 1929 he entered Műhely, an art school founded by Alexandre Bortnyik and based on the Principles of the Bauhaus in Dessau. Here he came into contact with constructivism and abstract art.
In 1930, Vasarely moved to Paris, and in 1937 he created his "Zebras" works considered precursors of Op Art.
During the 1940s, Vasarely began to develop his characteristic style of geometric abstract painting with interactive colors.
In 1955, he published his "Yellow Manifesto" where he expounded his ideas on visual kinetic art.
0:00 / 0:00
Style 1950s
The furniture of the 1950s was a reflection of the era, marked by innovation, optimism, and functionality.
Scandinavian design, with its emphasis on light wood and organic shapes, had a great impact.
Italy maintained its tradition of high-quality craftsmanship, with a focus on attention to detail and the use of noble materials.
The most important Italian designers of the time are:
Gio Ponti: he was one of the most influential designers of the era, known for his versatility and creativity. His "Superleggera" chair is an iconic example of Italian design from the 1950s. Italian furniture design of the 1950s was a golden age, marked by creativity, innovation, and artisanal quality.
Iconic designs such as the Eames chair by American designers Charles and Ray Eames and the Barcelona chair by German architect and designer Ludwig Mies van der Rohe, in collaboration with Lilly Reich, became popular, characterized by their ergonomic shapes and innovative materials. In lighting, Poul Henningsen, a Danish designer who created the PH lamps, and Isamu Noguchi, of American origin, stand out.
Coffee tables with organic shapes and glass surfaces were very popular at the time.
In summary, the furniture of the 1950s was an expression of modernity, optimism, and functionality, and laid the foundations for many of the design trends we see today.
Share
